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The table lamp is the most materialdriven
expression of the lighting
system: a resting element in which
structure and light coincide. It is
composed of two modules: a structural
element that integrates the base and
the dif fuser, and an inver ted V-shaped
element that defines the luminous
head. Both incorporate, through a
circular recess, a metal profile that
houses the light source, establishing
continuity between the technical
component and the form.
The light
passes through the marble of the
base, making its thickness perceptible
and activating the material. When the
composition extends, the structure
reconfigures: the bases can be
brought together, generating a central
support — almost like a plinth — around
which the light is organized, or
spaced apar t. Even when switched
of f, the lamp presents itself as a
small table sculpture, maintaining an
autonomous presence in the space.
The transformer is remote, leaving
the object free from visible technical
elements.
Finishes
The collection is presented through
the alternation of Bianco Carrara and
Verde Alpi, highlighting its modular
structure. The combination of the
two materials recalls the Tuscan
stone tradition, reinterpreting its
bichromy in a contemporary key.
Verde Alpi revisits Serpentine marble,
translating its character into a current
design language. The system can
be configured in different material
variations, either monochrome or
bichrome, with polished or matte
finishes. The variation of the material
alters the perception of rhythm
while leaving the constructive logic
unchanged.